I am back to business. It has been a long journey since Rockwerchter hit the stage and the ground.

DAY 1     As wet and muddy as I had expected, yea call me a pessimist and regretfully not having a pair of wellies..it was a messy and cold festival on the first day. I managed to catch the last couple of tunes from Counting Crows and Mr Jones got me all jumping, thinking about myself in my school uniform. After a couple of beers, Mika started and I had that look of ‘Nah, i’m not up for that’ but after a few more beers, I found myself dancing and singing. He had some pretty voluptuous dancers with him who drove the crowd to madness.  Alcohol does wonder sometimes. I am not a big fan of Lenny Kravitz but it was good to see him life, at least to know how tiny he really is. The highlight was R.E.M with a live video mixing, which was absolutely mind blowing. There must have been camera crews and VJ onboard with them. Various camera angles, audio visual synchronisation and some chopping of live video sampling have certainly enhanced their music. Despite the cold, J and I had to stick around for the Chemical Brothers to finish the night. Those big beat pioneers have certainly sounded more Hard House  than the usual chemical beats. That kept the night alive along with some funky visual projections.

Day 2   We were just in time to catch the last 2 tunes from The Verve as we had to drive back to Brussels for a GOOD shower and express shopping for shoes! Ashcroft with his shades singing Bittersweet Symphony exactly like what I heard on CD when I was still young. It was abit of nostalgia for everyone I guess. Squashed under people’s armpits, only managed to see the lights flickering, a blast from Hot Chip under the canvas. As far as I have only listened to a couple of tracks from their new album, I found the music slightly less minimal, heading more towards the Dance Pop, maybe even a little of Dub groove. Always quenching my thirst and smoking with some people, then it was Moby..all I can say is that the atmosphere was there but I don’t remember much :)

Day 3  Yes, we overslept and missed MGMT. I only heard them playing from my tent. Band of Horses was the first band we saw, not exactly my cup of tea but a couple of tracks were good. The next line up, Donovan Frankenreiter whom I have just discovered and my ears were pleased with. Being a surfer definitely has influence on the music, I donno what connection there is but its called Surf Rock (oh I had my Ukulele with me too). As a close pal of Jack Johnson’s, his music could be placed in between Johnson’s and country folk (yea tempted to do line dancing) and contains some bluesy bits. To the main stage, Kings of Leon performed. They were good but I was also looking forward to Ben Harper. As soon as Harper started playing his lap slide guitar, we felt the folk and country blues. His fingers were sliding up and down the fretboard as though they were on a race circuit. Despite a moron who took a piss in the crowd, the performance was well groovy. Sigur Ros was next, turned up on stage with massive light balls on stage, feathers on jacket, stuff on the head and painted faces. He bowed the guitar along with other drones and light percussions while the sun was setting. Hoppipolla must have taken the audience away from the site for a while into the land of pretty dreams. There was a moment after that when we were almost squashed to death just for the sake of watching Radiohead next. It was my first time watching them live and they have certainly evolved in music composition and performance. Most of the songs performed are from their latest album, which has received many thumbs up. I would say that they were the highlight of the festival to most people.

Day 4 Due to oversleeping and a long brunch, oh and also grabbing freebies, pfft…we missed the first half and managed to catch The Kooks as the first band. They were energetic yound lads but thats what you need from a music festival for the atmosphere. He had also gracefully walked from the stage ONTO the crowd. We headed off to the tent next for Mark Ronson. They played ‘Valerie’ without Amy Winehouse but maybe with someone who looked more humane and alive. Great soul and funk to dance to ;). Nick Cave came up next with his latest band The Grinderman. The music sounds like what the band is called brutal and gory. His moustache helps too. Vocals remain the same but in general, they do sound rather different compared The Bad Seeds. Then, a quick peek on Kaiser Chiefs…yea they were just being Kaiser Chiefs. Justice in the tent was wicked. You just move even when you try not to because it is Disco Punk! The tent was overflowing with people; hence, we only watched them Live on screen but at least we were not too far from where their decks were. Finally, the last act for us was Beck. He played many tracks from Odelay album and the songs still sound as fresh and revitalizing as ever! This multi instrumentalist has always made his music diversed, fusing genres and to cater for all types of ears. It was great to see him life although I have not listened much to his new stuff but hearing stuff from Odelay, a fantastic album released in the mid 90’s took me back on memory lane. We walked away to head back to the car park while Beck was bidding farewell with Everybody’s Got To Learn Sometime!

 p/s: Apprently Pete Doherty failed to turn up because he had to watch his cat in labour!

 Guess what? This is the festival of the year for me. Maybe the one and only one. Slightly more commercialised, no twats I hope but  most importantly good music. Here you go, just a warm up for it… Part 1:1. Patrick Watson - Build A Home (Cinematic Orchestra)
2. My Morning Jacket - If All Fails
3. Ben Harper - Michelle
4. Donovan Frankenreiter - Free

5. Kings of Leon - Fans
6. Band Of Horses - Is There A Ghost

7. The Verve - Sonnet
8. Devotchka - The Clockwise Witness

9. vampire Weekend - M79
10. Deus - The Architect
11. Grinderman - Love Bomb

Part 2:
12. MGMT - Electric Feel

13. Hot Chip - Sexual Healing

14. Sigurros - Inni Mer Syngur Vitley Syngur 15. Radiohead - 15 Step
16. Beck - Nausea (Change Remix)
17. Justice - DANCE
18. Soulwax - You Cant get Enough of What You Want
19. Galactic - Baby Bounce
20. Chemical Brothers - Get Yourself High (Felix Da Housecat)
21. Underworld - Cowgirl
22. Roisin Murphy - Over Powered (Seiji Remix)

Credit goes to Rockwerchter 2008

 
icon for podpress  Rockwerchter Part 1: Play Now | Play in Popup | Download (240)

 
icon for podpress  Rockwerchter Part 2: Play Now | Play in Popup | Download (205)

 I have always had a thing for ambient music. It takes me on a trip, i mean journey :). Well this time, it took me to France with Anothony Gonzalez, who is m83. His music could be called indie rock/ pop/ synthpop or electronic but everything within the sphere of ambient with the distant vocals bouncing against the walls all the time. Maybe if you like listening in between My Bloody Valentine and Kraftwerk, then just tune into M83.

His latest album ‘Saturdays = Youth’, which is also the 4th album since 2003 has recently been released, well 3 months ago if that is recent. This is less meloncholic compared to the previous album, maybe slightly more la la la sing a long in the 80’s. Based on the title of the album as well as what he has mentioned about happy teenagers running around in the 80’s, the music puts the picture into my head. He has managed to fuse the 80’s synth pop with what we call Indie rock in the production with 2 producers (of Sigur Ros, Sugarcubes, Cocteau Twins, Suede and Clinic ) onboard.

How I wish I could turn back time to live from the 60’s through to the 80’s except for not having to walk out with leg warmers all the time and big hair.

 http://www.myspace.com/m83

Due to some new music withdrawal symptoms, I happened to stumble upon this piece ‘Baibaba Bimba’ in the cyber world. I had thought what a great piece made by this non chalant Japanese duo. Tenniscoats are Saya and Takashi Ueno. They do sound like they play music and sing themselves to sleep, on the street, freely or just sitting in the garage jamming all day all night long while the neighbours are complaining bout the noise. There is the essence of pop despite the very vaguely defined structure of composition. There are many sound details that you come across unexpectedly while drowning yourself into the sweet melody and calm vocals. The guitar plucking, soft piano keys, drones from synth along with environmental sounds, which makes the music very ambient. ‘Umbarepa’ is the track with abit of brass music influence but in a very playful way unlike the military, maybe more like a circus.

They have also been working closely with Tape, the Swedish experimental electronic band on a few tours and recording studio projects. Perhaps, the end result of the exchanging musical ideas journey is the tranquility and mystery of the detailed sound of music that they have discovered together. They are full of surprises!

http://www.myspace.com/tenniscoats

In the midst of the moving stress,  I received an ‘emergency’ text from a dear friend that says ‘Fink plays live in Basel tonight!’. I thought if she meant the brighton kid or another german punk band? Having the advantage of breathing  in cyber world, I looked it up on the Internet and yes, all the way from pebble beach the came.

It was a live radio broadcast by livingroom.fm. As Fink mentioned on his blog, they were chatting bollocks, playing live sets and dj-ed. It was a rather small venue but that didn’t stop me from standing right infront of the stage listening and watching his fingers running along the fretboard of his classical guitar. It was a wicked not just because it was a free and also a surprise gig to me. Everyone had room to move around and to breathe along with Fink’s whispering vocals, the mysterious discordant sound of the guitar, thumping bass grooves and the riding beats. There were only simple acoustic ingredients with no electronics but the music managed to penetrate through the audience like a spear. It was haunting, meloncholic, bluesy, folky, upbeat with soul.

It could have been heaving with people in London but I guess he is still not that well known in the little city yet or rather it was just a wrong venue with a wrong overdressed house crowd.

Jessie Evans is the free wave noise sax player who is currently based in Berlin. She has teamed up with drummer, Toby Dammit and delivered a tremendous performance  that kept that little basement vibrating. One vocalist, one drummer and one engineer created a much bigger and louder sound. In her little space ship like outfit, Evans sang and played the sax psychedelically. She was running about, up and down the stage, into the crowd, sharing microphone, having abit of a sing along. Dammit played the most complicated beats along with the fat synthesized bass lines and melody.  He was a combination of an African percussion group and a loud jazz drummer. As Lo Fi as the venue portrayed, they drove the crowd to madness with the amount of energy circulating within the room. They are sandwiched between Sun Ra and The Skatalites (or around any ska punk bands). with slices of electronic pop in the sandwich, yummy!

http://www.myspace.com/jessieevansmusic

 It was a rather late night jazz after a long day of taking strolls on the horrendous busy streets. Clos your eyes and maybe you will hear 4 Heroes every now and then. This octet grew out of Benendic Lamdin Nostalgia 77 studio project. I have been listening to the studio stuff including many collaborations done with various DJs and other musicians. The free form jazz octet had seemed to be more on the soft side of jazz although there was also a love of the funk sound. I personally thought that the Double bass player had produced great bass lines that created the contrast between the funk and swing jazz sound. There was a good balance between both that made the music chilled and exciting. No boring elevator music…

http://www.myspace.com/nostalgia77

This is what I feel, mellow, pop and electronic as what I have been listening to quite alot. Of course by being in the German speaking environment, I often remind myself that they do produce good electronic music more than how I am ever gonna cope up with the language

THE PLAYLIST:
01 - Hauschka - Twins
02 - Lippok and Morgenstern - Sommer
03 - Phon Noir - Panodrama
04 - Hausmeister - Muner
05 - Canon Blue - Odds and Ends
06 - Electric President - Insomnia
07 - Seavault - The Mercy Seat
08 - The Octopus Project - Loud Murmuring
09 - Borko - Continental Love
10 - CItay - Little Kingdom
11 - The Cheap Poet - Dig The Material Crap

Minimal, experimental, electronic piano music, an extended version of John Cage. Hauschka is from Dusseldorf whose work is composed based on possibilities of the ‘prepared piano’.

Barbara Morgenstern and Robert Lippok (from Ro cocorot) are both from the Berlin scene. This is a great collaboration as they both have produced remarkable electronic music. Thanks to the friendship that they landed on this release. Layers of Morgenstern’s vocals over Lippok’s whirring electronics and minimalist percussion….yumm…its like lasagne..

This is not the first time that I have mentioned this guy, Phon Noir but I just can’t get his music out of my head. I stick with Berlin for a while with another track of his from the album, Putting Holes Into October Skies.

I have discovered Hausmeister from a wicked less known label, Sopot Records. However, this guy stays rather mysterious as I couldn’t get hold of much information about him (maybe I didn’t try hard). Based in Bremen, Deutschland, he makes beats from patterns of beats on paintings and posters. It sounds colourful, abstract but yet comprehensive

It is not a surprise to find Americans now on european record labels, which makes the world a small place. Some just sound as good despite difference in accent. Canon Blue signed with Rumraket label, a Danish label

This is the american electronic pop that you would place their CD along with Ben Gibbard’s Postal Service and Death Cab for Cutie.I have discovered them from the Berlin based record label, Morr Music. The duo arrange the sound of beats and various instruments in a way that makes a conventional piece of pop music sound more edgy. There are quite a lot details to listen to despite the simple and catchy melody.

Remember Slowdive the shoegazers? Simon scott from Slowdive has ventured slightly into the world of electronic music with Anthony Ryan. “A number of small things” various cd has just been released on MORR MUSIC featuring the first Seavault recordings “Mercy Seat”

Loud, aggressive and playful are the Octopus Project from Texas. They have been featured on my previous podcast show. Therefore, enjoy another track

I never fail to fall in love with music from the Reykjavik scene. It should be my next holiday destination. The music always fills my room with mystery and tranquility. This is Borko who had a track released on the Kitchen Motors’ compilation album.

They have categorised their music as German pop and I don’t really know what that means. They sound like a choir singing in a large hall with an orchestra of guitars. They started off as a studio project between Ezra Feinberg and Tim Green in San Francisco. The sound gradually build up to choir,  a few live bands, etc..I like the ambience.

The Cheap Poet..wow from Venuzuela. I just don’t remember how I stumbled upon them but the tracks keep my mind occupied. It can be quite hypnotising too. He makes music from the stuff that is in his head and writes poems too. It is a form of mind transmission I guess.

 
icon for podpress  Melopoptronic [47:38m]: Play Now | Play in Popup | Download (841)

This time the show was more punctual than I thought, which made me late. Therefore, I only managed to catch the last track of theirs. Maybe that is what you call save the best for last. This 7 piece band from Edinburgh crammed themselves with guitar, drums, bass, double bass, violin,synth,etc on that little stage. Combining european folk with indie rock with orchestral music, the drive you into experiencing various moods and to tripping. As soon as the vocalist stopped singing during the instrumental bit, he expressed all his unspoken lyrics on his face, strumming the acoustic guitar with all the energy that the audience could feel. Honestly, I will be early the next time I go for their gig, hopefully.

http://www.myspace.com/brokenrecordsedinburgh

That was probably the first encounter I had with the local music ever since I arrived. It was the Basel Club Music festival with mostly local bands and a few from Germany, UK and US.

I had conveniently bought the ticket while doing my groceries in the supermarket. I guess they had the intention to encourage every young boy, girl and elderly man, woman to rock. The first band I watched was Wolfsquinten at the Sudhouse. This trio was placed under the category of world  music. The middle eastern elements on the guitar riff could be one of the reasons why. However, they could also be placed in between progressive rock and jazz. Surprisingly, one of the tracks with vocals was a transition from Muse to Slipknot? In fact, it was till then that I realised why a man was sitting on a chair with a pint of beer on stage, reading the newspaper. He was just waiting to sing that particular track. :0

I proceeded to the next club called Das Shiff to watch Neonkrieger. I could call them the German version of Artic Monkeys. The typical Indie Rock characteristics with jangly guitar and punky beats. There were also a couple of heavier tracks that sounded abit towards glam rock, you know those guitar riffs/solos. In his waistcoat, the vocalist swung his Les Paul left to right with abit of foot work. The music certainly did project a tremendous amount of energy into the room that aroused the crowd. According to a friend, they have got good lyrics. Well, guess I will only find out once I have learnt my German.

The final performance was at the Parterre . The local folk singer song-writer, also known as a formal Swiss Boxing Champion, Bettina Schelker has been in the limelight for a while now. It was mentioned at the beginning of the gig that she has recently won the John Lennon song writing award. Well, she has proven it towards the end of the gig. The music was varied despite having only an acoustic guitar, a cajon drum, tamborine and shakers. I was reminded of Tracy Chapman in some ways with the palm muting guitar playing technique.  She sent out the right groove. She is also a rather good peformer as she managed to interact with the audience very well but again I had no idea what they were laughing about :(

http://www.myspace.com/wolfsquinten

http://www.myspace.com/neonkrieger

http://www.myspace.com/bettinaschelker

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    This is where we all listen only to jazz, funk, trip hop, post rock, drones, glitches and few other obscure music. Then we watch, non Hollywood films, hypnotising visuals and maybe some less popular films with excellence. We then evoke unperturbed thoughts from the art of living and share them in the form of text. Be creative with your journey! 'Art is the liberation of the humanity inside yourself.' - Daisaku Ikeda

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